Overview
Randy Wray's paintings resist any circumscribing definitions. While they reveal an attraction to natural forms, and wander through an expanse of gesture that charts its path through biological, ecological, and archaeological memories, they always step back from the edge of interpretation; delaying our ability to understand them right as they get to the border. At times they appear like glowing fossils, unfamiliar but singed with gothic undertones, and echo something plangent; particularly when Wray seems to be citing radiographical shapes and MRI scans. But importantly, the shapes he creates have a slow rhythm, a speed encoded in the brushwork, that makes them undulate and pulsate with life. Each shape keeps its boundary, its membrane, while keeping the spaces in between them active with the possibility of transmission. It is Wray's series of about-turns, his decision-making process of not-this, that creates blooms of energy from their enchanting none-of-the-above.
Works
Biography

Randy Wray (b.1965) lives and works in Brooklyn, NY. He graduated from the University of North Carolina School of the Arts and received his B.F.A. from the Maryland Institute College of Art. His residencies include the Skowhegan School of Painting and Sculpture and the Marie Walsh Sharpe Space Program. 


Wray's work has been the subject of numerous solo exhibitions, including Travelogue, 15 Orient, New York, NY (2022) and Particulars, MAMOTH, London, UK (2022). Additionally, Wray has had solo exhibitions at the Weatherspoon Art Museum, Greensboro, North Carolina; Camargo Vilaça, São Paulo; White Columns, New York; and Greenville County Art Museum, South Carolina. Selected group exhibitions include: The 14th Floor, Gratin, New York, NY (2024); Wertenbroek / Wray, Lo Brutto Stahl, Paris, FR (2023); The Colour of Pomegranates, MAMOTH, London, UK (2023); Inauguration, Lo Brutto Stahl, Paris, Fr (2023);  Greenhouse, Gratin, New York, NY (2023), Scouring, Meredith Rosen Gallery, New York, NY (2022); and Their Private Worlds Contained the Memory of a Painting that had Shapes as Reassuring as the Uncanny Footage of a Sonogram, Matthew Brown, Los Angeles, CA (2022). Wray has also exhibited at MoMA PS1, New York; Cranbrook Art Museum, Bloomfield Hills, Michigan; Socrates Sculpture Park, New York; and Kohler Arts Center, Sheboygan, Wisconsin.

 

Wray is the recipient of awards including a Guggenheim Fellowship, a Gottlieb Grant, a NYFA Painting Fellowship, a Lillian Orlowsky and William Freed Grant and the Inaugural Irving Sandler Prize. His works are represented in museum collections including the Art Institute of Chicago, Illinois; Columbus Museum of Art, Ohio; Greenville County Art Museum, South Carolina; Museum of Modern Art, Rio de Janeiro; Rubin Museum of Art, New York; and the Weatherspoon Art Museum, Greensboro, North Carolina. Corporate collections include Goldman Sachs, JP Morgan Chase Bank, Neuberger Berman and Progressive.

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